The rhythm of intensity in The written rose of Xavier Abril

Abstract

After  rhythmic  adventures  carried  out  by  Abril  in  the  most  audacious  avant-garde positions, there is a denial unusual- explained metatextually later- in the poiesis of the artist, who returns to the channels of tradi-tional universal development. La rosa escrita is the collection of poems more emblematic of this return. This paper illustrates in a text, through the current pace, the details of this return.