Moral, causalidad e ironía en la narrativa de Vargas Llosa

Abstract

It explains the critical content of a work and, even more so, of an author's production, it necessarily includes a game between fundamental conceptions of reality, from whose dialectical movement springs not only the action but also the explanation of the 'choice' of determined facts. In a more restricted plane, the critical content arises from the dynamics that is established between interoretative categories of reality. In this note we want to refer to three of them; the categories of morality, causality and irony, as presented in Mario Vargas Llosa's narrative.